Get to Know an Agent in Attendance: Alice Speilburg of Speilburg Literary

Screen Shot 2019-11-21 at 2.32.54 PM.pngAlice Speilburg founded Speilburg Literary Agency in 2012, bringing with her the editorial and business expertise she had developed in previous publishing positions at John Wiley & Sons and Howard Morhaim Literary Agency. She is a member of Romance Writers of America, Mystery Writers of America, and Society of Children’s Book Authors and Illustrators, and she is a board member of Louisville Literary Arts. She is currently building her client list and represents a wide range of fiction and nonfiction.

Nonfiction:

She enjoys nonfiction in the areas of History, Journalism, LGBTQ, Pop Culture, Psychology, Science, Travel, and True Crime. “In nonfiction, I’m looking for cultural narratives, microhistory, nature, and pop science written by journalists and academics. I’d love to see more nonfiction proposals, so even if you think your nonfiction project is not quite what I’m looking for, please send it over so that I can take a look.” She’d love to see

  • Pop Science Narratives that inform some particular quirk of our human nature or the world around us, like STIFF, or ON TRAILS
  • Pop Science Narratives that tie closely with political discussions regarding the environment, social issues, etc., like INFERIOR, OVERRUN, or LOST MOUNTAIN
  • Nonfiction Narratives that weave history or science through memoir, like THE OREGON TRAIL, or SPINELESS
  • Nonfiction narratives that focus on the intersection of two — perhaps unlikely — subjects, like WAR AND WINE, or EYE OF THE BEHOLDER
  • Journalistic Narratives that focus on a specific place, thing, or circumstance to show something about our culture at large, like JANESVILLE, THE GOOD GIRLS REVOLT, GHOSTLAND, or WILD ONES

Fiction:

She represents women’s fiction, crime fiction, some fantasy (specifics below), historical fiction, mystery, thriller, action/adventure, and horror.

“In fiction, I’m looking for stories that sidestep into history, magic, mystery, horror, or adventure. My favorite sub-genres are feminism, narrative nonfiction, and upmarket genre fiction.” She would love to see

  • Historical Fiction that reimagines factual events, especially crimes or mysteries, like BURIAL RITES, THE BALLAD OF TOM DOOLEY, or THE LAST DAYS OF NIGHT
  • Women’s Fiction that oscillates between modern and historical perspectives like THE DOLLHOUSE
  • Historical Fiction that sidesteps into magic, like OUTLANDER, A SECRET HISTORY OF WITCHES, or THE MONSTERS OF TEMPLETON
  • Fantasy based on American folklore, earthy and magical, like THE VINE THAT ATE THE SOUTH
  • Fantasy that contains mythical elements, like THE BIRD KING, THE GOLEM AND THE JINNI, or THE BEAR & THE NIGHTINGALE
  • Adventure Fantasy with fresh and unique magic, like A DARKER SHADE OF MAGIC, THE BOOK OF DUST
  • Police Procedural Mysteries that are grounded in both a unique investigator and an evocative setting like the ARMAND GAMACHE series and the ALEX MCKNIGHT series
  • Psychological Thrillers that border on horror with smart female protagonists, like IN A DARK, DARK WOOD

 

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