THIS YEAR’S SESSION & WORKSHOPS (2019):
8:30 – 9:30: Check-in and registration at the event location. Check in and get comfortable.
There will be 3 classes/workshops going at all times during the day for the 2018 workshop. Agent pitches and critique consultations overlap with the sessions below. The schedule of presentation topics below is subject to change, but here is the current layout:
BLOCK ONE: 9:30 – 10:30
1. Getting Published in Today’s World: 10 Tips to Make You the Writer Agents and Publishers Want, taught by Brian Klems. If you want to land an agent and a book deal in today¹s market, you’re going to have to do a lot more than just write a great book (though that’s a good start). Brian Klems discusses the challenges writers face in publishing today and offers up 10 practical tips to help you break through the barriers and find success.
2. How to Use Market, Trends, and Conventions of Romance to Help You Sell Your Romance Novel, taught by Shannyn Schroeder. Whether you write fast or slow, whether you can put out five manuscripts a year or only one, understanding the market, trends and conventions of the genre can help you tailor your manuscript to take it from a maybe to a yes from an agent or editor. We will discuss using conventions, twisting tropes and targeting what editors and agents want while still writing the book you love.
3. Tell Me True: Tips on Writing Memoir. Readers will always love an amazing true story, but the key is writing it well. In this session, learn how to take real life and transform it into gripping narrative, compelling characters, and tight prose. Learn what to keep, what to cut, and how to make your nonfiction read like a great novel.
BLOCK TWO: 10:45 – 11:50
1. Crafting a Submission Query Letter that Sparkles, taught by Bethany Morehead. We often are found sitting at the computer and drawing a blank on how to craft an e-query that will not simply be ignored by an agent, editor, and publisher. This course takes you through crafting an email that will sparkle with content that is needed to be seen and how to get your work noticed.
2. 15 Tips on How to Write Like the Pros, taught by Brian Klems. This workshop is a thorough crash course concerning craft, style and voice. We’ll discuss nuts & bolts tips for sentence construction like how to avoid passive tense, how to use vivid language, how to self-edit your own work, how to make your characters memorable, the art of compelling dialogue, and much more.
3. Self-Publishing: One Writer’s Experience, taught by Kristine Smith. Over the last 10-15 years, self-publishing has developed into a career path both for new authors and the traditionally published. Kristine Smith discusses why she chose to self-publish her backlist, all the creative and business choices she needed to make along the way, and why she needed to learn the differences between tracking, kerning, and leading.
LUNCH ON YOUR OWN: 11:50 – 1:15
Lunch is on your own during these 85 minutes. There are lots of options, including onsite restaurants, and nearby places to eat.
BLOCK THREE: 1:15 – 2:30
1. “Writers Got Talent”—a Page 1 Critique Fest, with participating literary agents and editors. In the vein of “American Idol” or “America’s Got Talent,” this is a chance to get your first page read (anonymously — no bylines given) with attending agents commenting on what was liked or not liked about the submission. Get expert feedback on your incredibly important first page, and know if your writing has what it needs to keep readers’ attention. (All attendees are welcome to bring pages to the event for this session, and we will choose pages at random for the workshop for as long as time lasts. All submissions should be novels or memoir—no prescriptive nonfiction or picture books, please. Do not send your pages in advance. You will bring printed copies with you, and instructions will be sent out approximately one week before the event.)
2. How to Write a Nonfiction Book Proposal, taught by Brian Klems. This session is completely devoted to nonfiction that is not memoir. So if you are trying to create an awesome nonfiction book proposal, this presentation is for you. The session will talk about platform, identifying your book’s place in the market, effective pitching, and more.
3. Picture Book Boot Camp. Learn how to pitch and publish in the children’s book market from award winning author and teacher Shannon Anderson. She will share the basics of picture book writing, pathways to network with editors and agents, and strategies to start building your platform. You will leave with information about the craft and business side of writing for kids.
BLOCK FOUR: 2:45 – 3:45
1. The 10 Principles of Building Platform, taught by Brian A. Klems. Writer platform is essential in today’s publishing world. It’s all of the ways you can market yourself and your book — blogs, social media, public speaking, Twitter, Facebook, and more. Let Brian A. Klems from guide you through the 10 principles of writer platform and book marketing what you need to do to achieve them so you can build an audience and, ultimately, sell your book.
2. Prewriting for Pantsers: How to Write Your Novel Without Mapping Out Your Plot Ahead of Time, taught by Shannon Schroeder. Some people plan and plot a novel, while others write by the seat of their pants. The problem with being a “pantser” is that at some point, you will have to write under deadline and you might not have the time to write, rip apart, and rewrite the same book to make it publishable. This workshop will discuss ways to pre-write without plotting to help the writing process go smoother.
3. Science Fiction & Fantasy: I Have This Great New World, But …, taught by Kristine Smith. Your story read so well in outline form. That one-line pitch blew away your critique group. Now you’re hip-deep in your manuscript, and it’s all ground to a halt. Kristine shows you ways to revive your story, rediscover the excitement you felt when you started writing it, and enhance what’s already there.
BLOCK FIVE: 4:00 – 5:00
1. Plot and Voice: The Not-So-Basic Elements of the Novel, taught by Lauren Fox. A page-turner of a plot is nothing without a strong voice. Equally, a lively and compelling voice falls flat unless it tells a story worth reading. In this session, we’ll talk about tense plots and unique voices: in short, two of the main reasons readers can’t stop turning the pages. Come with questions!
2. 18 Frequently Asked Questions About Publishing All Writers Should Know, taught by Brian A. Klems. Before you publish your work or query an agent (and after), there are plenty of things you need to know — such as how to submit to agents properly, what social media channels you should be on already, how to launch your book right, how to draft a compelling query/pitch and synopsis, how to land book blurbs, how to find other writers who can help you, and much more.
3. Keys to Writing Great Young Adult & Middle Grade Fiction, taught by Madeline Smoot. Writing for children isn’t all that different from writing for adults. You still need great characters in interesting situations doing meaningful things. However, there are some genre specific things to keep in mind when crafting books for those readers under 18. In this session, presenter Madeline Smoot, acquiring editor for CBAY Books, will discuss the tips and tricks for making middle grade and YA novels great.
SESSIONS END: 5:00
At 5 p.m., the day is done. Speakers will make themselves available by the workshop’s bookstore station for a short while to sign any books for attendees.