Agents and Editors in Attendance

PITCH YOUR BOOK TO A LITERARY AGENT OR EDITOR:

These one-on-one meetings at the 2017 Writing Workshop of Chicago are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind. More 2017 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.

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Screen Shot 2015-12-29 at 2.06.32 PMGemma Cooper is a literary agent with The Bent Agency. Gemma represents authors who write for children, from picture books to young adult, both fiction and nonfiction. “I love younger fiction, and have a soft spot for funny chapter books aimed at 7+ with series potential. For middle-grade, I’d love to see a good mystery or adventure, but really any MG with a strong voice will get my attention, whatever the subject matter or setting (historical, fantasy, sci-fi, contemporary, thriller). For young adult fiction, I prefer a contemporary setting and I’d love a standout YA romance or something with strong friendships or sibling relationships. For picture books, I am only looking for author/illustrators and not just picture book texts. I’m looking for diverse voices, illustrators and stories across my list, but particularly for chapter books and MG.” Learn more about Gemma here.

Screen Shot 2016-10-17 at 10.35.49 AM.pngAlexandra Weiss is a literary agent with Jennifer De Chiara Literary. Within young adult, the genres she is most interested in representing include realism, science fiction, and fantasy – but also stories that include magic (think The Raven Cycle series by Maggie Stiefvater and The Night Circus by Erin Morgenstern) are her favorite, as are stories that include space and science. She loves stories that include diverse and risk-taking subjects, including culture, race, sexuality, and identity. She also seeks all types of adventurous, silly, and out-of-the-box children and middle grade books. Books with or without pictures intrigue her, and she is most interested in a character-driven story and big plot to explore. Concerning adult fiction, she is looking for strong literary voices that take the notion that every story is a love story to new levels.  She seeks interested in complex relationship stories that surround something bigger. Alexandra is open to most adult genres, but heavy mystery, horror, or thriller stories are not for her. Books that are written in or include uses of uncommon formats (uses of letters, screenplay, photos, poetry, or collection of short stories or essays) is another unique quality she looks for. Learn more about Alexandra here.

Screen Shot 2016-10-27 at 7.08.43 PM.pngLoretta Caravette is the founder of LR Children’s Literary. She specializes in children’s books of all genres: picture books, early chapter books, middle grade, and young adult literature. Our agency represents both authors and illustrators. She appreciates nonfiction and historical fiction in all genres — especially picture books. She is very interested in the easy readers and early chapter books. Loretta will take on an author/illustrator combination. Learn more about Loretta here.

Screen Shot 2016-10-12 at 1.11.39 PM.pngLaura Crockett is a literary agent representing TriadaUS Literary. She will be taking pitches on behalf of herself as well as other agents at the agency — in the following genres: young adult, adult historical fiction, middle grade, mystery/crime, women’s fiction, and nonfiction projects. She is actively building her list of clients and is looking forward to talking with and meeting debut writers. Learn more about Laura here.

Screen Shot 2016-10-18 at 4.09.19 PM.pngMichael Caligaris is a literary agent with Holloway Literary Agency. His interests are as follows: literary Fiction, autobiographical fiction (i.e., So Long, See You Tomorrow; A River Runs Through It; Sylvia), short story collections or connected stories as a novel (i.e., Jennifer Egan, Elizabeth Strout, Junot Diaz), LGBTQ lit, novels that are set in the Midwest or could be considered Americana, crime fiction, mystery/noir (i.e., Walter Mosley, Kate Atkinson, Lou Berney), dystopian fiction, civil unrest/political uprising/ war novels, memoir, New Journalism and/or long-form journalism, essay collections (on art, race, mental health, music, etc.), satirical/humor writing, and environmental writing. Learn more about Michael here.

Screen Shot 2017-01-06 at 9.32.05 AM.pngGrace Menary-Winefield is an associate editor with Sourcebooks and Sourcebooks Landmark. In nonfiction, she is seeking quirky self-help books with a great hook and wide appeal, and smart nonfiction with unique explorations of history. She enjoys gift books — entertainment pop culture books, novelizations and nonfiction tie-ins and gift books (text and illustration) that inspire and entertain. For fiction, she seeks mainstream and commercial fiction that explores unique, sometimes even fantastical concepts (such as Station Eleven by Emily St. John Mandel or The Bone Clocks by David Mitchell). She seeks diverse stories in both historical and contemporary settings. Learn more about Grace here.

Screen Shot 2015-12-29 at 2.04.34 PMMarcy Posner is a literary agent with Folio Literary. She is seeking: “I straddle the line between adult and children’s books (middle grade and young adult only). In the adult world, I’m looking for: commercial women’s fiction, historical fiction, mystery, biography, history, health, and lifestyle – and, especially, thoughtfully written commercial novels, thrillers with international settings, and narrative nonfiction. In the children’s world, I’m looking for smart, contemporary YA and middle grade novels. A great new juvenile mystery series for boys would be fun.” She does not represent genre books of any kind (no romance, mystery, sci-fi or fantasy), nor does she seek memoirs. Learn more about Marcy here.

Screen Shot 2016-03-23 at 10.45.52 AM.pngJen Karsbaek is a literary scout with Fuse Literary Agency (formerly named Foreword Literary). Jen now acts as an agency scout to find exciting and talented writers for the agency’s current agents. She is happy to take pitches on behalf of her co-agents for the genres of fantasy, science fiction, horror, mystery, thriller, suspense, romance, mainstream/upmarket fiction, women’s fiction, middle grade, new adult, young adult, and literary fiction. The agency also seeks books by and about people from marginalized perspectives, such as LGBT people and/or racial minorities. Learn more about Jen here.

Screen Shot 2017-01-06 at 12.09.01 AM.pngEmily Clark Victorson is the co-founder and publisher of Allium Press of Chicago.  Allium Press was founded in 2009 as a small, independent press and publishes literary fiction, historical fiction, mysteries, thrillers, middle grade, and young adult fiction — all with a Chicago connection. Learn more about Emily here.

Screen Shot 2017-01-31 at 4.43.20 PM.pngLesley Sabga is an agent assistant at The Seymour Agency. She is taking pitches on behalf of all of the agency’s acquiring agents. She wants to hear pitches for happily-ever-after romance, mainstream suspense, thrillers, mysteries, young adult with a fresh voice (both contemporary and sci-fi/fantasy), science fiction, fantasy, action/adventure, Christian/inspirational fiction and nonfiction, women’s fiction (contemporary and historical), new adult, Southern fiction, picture books (especially author-illustrators), cookbooks, middle grade (all kinds), narrative nonfiction, memoir, and literary fiction. Learn more about Lesley here.

        More 2017 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings.)