The 2020 Writing Workshop of Chicago: June 27, 2020

Screen Shot 2016-12-25 at 10.34.26 PM.pngAfter successful 2015, 2016, 2017, 2018, and 2019 events in Chicago, Writing Day Workshops is excited to announce The 2020 Writing Workshop of Chicago — a full-day “How to Get Published” writing event in Chicago, IL on June 27, 2020.

This writing event is a wonderful opportunity to get intense instruction over the course of one day, pitch a literary agent or editor (optional), get your questions answered, and more. Note that there are limited seats at the event (300 total). All questions about the event regarding schedule, details and registration are answered below. Thank you for your interest in the 2020 Writing Workshop of Chicago!

(IMPORTANT MAY 2020 UPDATE: The 2020 WWoC is now an Online Conference to keep everyone safe. There is much more to say about this, but immediately you should understand 1) This will be easy and awesome, and online conferences we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of the event, including one-on-one agent & editor pitching, which will now be done by Skype or phone. Learn all details about the new June 27 WWoC Online Conference here and what everything means.)

WHAT IS IT?

This is a special one-day “How to Get Published” writing workshop on Saturday, June 27, 2020, at the historic Congress Plaza Hotel, just south of the downtown area. In other words, it’s one day full of classes and advice designed to give you the best instruction concerning how to get your writing & books published. We’ll discuss your publishing opportunities today, how to write queries & pitches, how to market yourself and your books, what makes an agent/editor stop reading your manuscript, and more. No matter what you’re writing — fiction or nonfiction — the day’s classes will help point you in the right direction. Writers of all genres are welcome.

This event is designed to squeeze as much into one day of learning as possible. You can ask any questions you like during the classes, and get your specific concerns addressed. We will have literary agents onsite to give feedback and take pitches from writers, as well. This year’s agent faculty so far includes:

  • [NEW ADDITION] literary agent Paul Levine (Paul Levine Literary)
  • [NEW ADDITION] literary agent Vicki Selvaggio (Storm Literary)
  • [NEW ADDITION] literary agent Julie Gwinn (The Seymour Agency)
  • [NEW ADDITION] literary agent Cate Hart (Harvey Klinger)
  • [NEW ADDITION] literary agent Lizzie Poteet (The Seymour Agency)
  • literary agent Lindsey Smith (Speilburg Literary)
  • literary agent Chrysa Keenon (CYLE Literary)
  • editor Emma Hintzen (Sourcebooks)
  • literary agent Dan Cramer (Flannery Literary)
  • literary agent Beth Marshea (Ladderbird Literary)
  • editor Jonathan Westmark (Albert Whitman & Co.)
  • literary agent Alice Speilburg (Speilburg Literary)
  • editor Stacy Abrams (Entangled Publishing)
  • literary agent Alexandra Weiss (Jennifer De Chiara Literary)
  • editor Anna Michels (Sourcebooks)
  • [SOLD OUT OF PITCH APPOINTMENTS] literary agent Leah Pierre (Ladderbird Literary)
  • [SOLD OUT OF PITCH APPOINTMENTS] literary agent Kerstin Wolf (D4EO Literary)
  • [SOLD OUT OF PITCH APPOINTMENTS] [NEW ADDITION] literary agent Eric Smith (P.S. Literary)
  • [SOLD OUT OF PITCH APPOINTMENTS] literary agent Alyssa Roat (CYLE Literary)
  • [SOLD OUT OF PITCH APPOINTMENTS] literary agent Kerry Sparks (Levine Greenberg Rostan Literary Agency)
  • [SOLD OUT OF PITCH APPOINTMENTS] literary agent Stephanie Hansen (Metamorphosis Literary)
  • [SOLD OUT OF PITCH APPOINTMENTS] [NEW ADDITION] literary agent Kenzi Nevins (CYLE Literary)
  • and probably more to come

By the end of the day, you will have all the tools you need to move forward on your writing journey. This independent event is organized by coordinator Brian Klems of Writing Day Workshops, with assistance from regional Chicago writing groups.

EVENT LOCATION & DETAILS:

9:30 a.m. – 5 p.m., Saturday, June 27, 2020 — the historic Congress Plaza Hotel, 520 S Michigan Ave, Chicago, IL 60605, just south of the downtown area. (312)427-3800.

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THIS YEAR’S SESSIONS & WORKSHOPS (JUNE 27, 2020):

What you see below is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.

For the 2020 online workshop, we will have classes happening all day, for three straight days, from Friday June 26 through Sunday June 28. Note that all classes are recorded and sent out afterward, so don’t worry if there are classes you cannot attend live.

FRIDAY, JUNE 26, 2020

9:30 – 10:30: Plotting Your Novel (or How Outlining Can Prevent Your Head Exploding), taught by Julie Hyzy.

10:45 – 11:45: Writing Mystery/Thriller/Crime Fiction, taught by Julie Hyzy.

1:15 – 2:30: Romance 101, taught by Sally Kilpatrick.

2:45 – 3:45: Self-Publishing: Top 10 Ways To Get It Right, taught by Marian L. Thomas.

4:00 – 5:00: Pursuing a Small Press Publisher for Your Book, taught by Emily Victorson.

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

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SATURDAY, JUNE 27, 2020

9:30 – 10:30: The Most Common Query/Submission Mistakes and How to Fix Them, taught by Alyssa Roat.

10:45 – 11:45: Setting, Sidekicks, and other Supporting Players, taught by Julie Hyzy.

1:15 – 2:30: “Writers Got Talent”—a Page 1 Critique Fest with participating literary agents and editors.

2:45 – 3:45: Panel: Ask an Agent Anything.

4:00 – 5:00: Making Social Media Work For You, taught by Kenzi Nevins.

SUNDAY, JUNE 28, 2020

9:30 – 10:30. Edit Like a Pro: Self-Editing Fiction, taught by Victoria Griffin.

10:45 – 11:45: Do’s & Don’ts in Science Fiction & Fantasy World Building, taught by Eric Smith.

1:15 – 2:30: How to Write Picture Books that Show Inclusion, taught by Lisa Rose.

2:45 – 3:45: Publicity and Marketing 101 for New Authors, taught by Jessica Burkhart.

4:00 – 5:00: How to Write Young Adult and Middle Grade that Sells, taught by Jessica Burkhart.

SESSIONS END: 5:00 EACH DAY

At 5 p.m., each day is done.

(What you see here is a quick layout of the day’s events. See a full layout of the day’s sessions, with detailed descriptions, on the official Schedule Page here.)

Agent & Editor Pitching: All throughout the day.

————-

PITCH AN AGENT OR EDITOR:

Screen Shot 2019-09-27 at 1.37.27 PMPaul S. Levine is a literary agent and the founder of Paul S. Levine Literary. He is also an attorney. His fiction interests include adventure novels, mainstream fiction, mysteries, romance, thrillers, and women’s fiction. His nonfiction interests include business/commerce, pop culture, how-to, self-help, politics/law, relationships, and sports. Learn more about Paul here.

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Dan Cramer is a literary agent with Flannery Literary. He is seeking: picture books with great rhythm, fiction and nonfiction (no rhyming please); middle grade adventure, sci-fi, and fantasy; young adult contemporary (rom-coms), science fiction, dystopian, historical fiction, and thrillers; and LGBTQIA+ themes. Learn more about Dan here.

Screen Shot 2015-12-01 at 9.50.27 AMVicki Selvaggio is a literary agent with Storm Literary (formerly with Jennifer De Chiara Literary). She is currently looking for lyrical picture books, middle grade and young adult fiction, new adult, mysteries, suspense, thrillers, paranormal, fantasy, narrative nonfiction, and adult fiction. Vicki is especially drawn to middle grade and young adult. “I especially love thrillers and all elements of weird, creepy stuff. If it’s out of the box, and it will make me think and think, long after I’m done reading, send it to me! On the flip side, I yearn for books that make me laugh, cry and wonder about the world.” Learn more about Vicki here.

Screen Shot 2018-12-04 at 9.55.51 PM.png[SOLD OUT OF PITCH APPOINTMENTS] Eric Smith is a literary agent with P.S. Literary. Eric is eagerly acquiring fiction and nonfiction projects. He’s actively seeking out new, diverse voices in young adult (particularly sci-fi and fantasy), and literary and commercial fiction (again, loves sci-fi and fantasy, but also thrillers and mysteries). In terms of nonfiction, he’s interested in cookbooks, pop culture, humor, essay collections, and blog to book ideas. Learn more about Eric here.

Screen Shot 2019-11-15 at 4.23.30 PM[SOLD OUT OF PITCH APPOINTMENTS] Kenzi Nevins is a literary agent with CYLE Literary Elite. Kenzi personally seeks picture books (text only is fine, but author-illustrators are her favorite), middle grade (all kinds), young adult (all kinds, including graphic novels with images), and adult fantasy. She is also happy to take pitches on behalf of her many co-agents, and pass on great submissions to them after the event. That means she will take pitches for romance (all kinds), literary fiction, mainstream fiction, science fiction, high & low fantasy, historical, mystery, thriller, suspense, women’s, and Christian/inspirational. For nonfiction, she will take pitches for parenting, leadership, ministry, devotionals, and self-help. She will also take pitches for board books and chapter books. Learn more about Kenzi here.

Screen shot 2014-09-25 at 10.27.21 PMJulie Gwinn is an agent with The Seymour Agency, and was formerly an editor with many years of publishing experience. Her primary areas of interest include Christian and inspirational fiction and nonfiction, women’s fiction (contemporary and historical), new adult, Southern fiction, literary fiction, as well as young adult novels. Learn more about Julie here.

Screen Shot 2019-07-09 at 2.56.29 PM.pngCate Hart is a literary agent with Harvey Klinger Literary Agency. She specializes in historical, whether in young adult, women’s fiction and romance, or narrative nonfiction. She is particularly drawn to oft-forgotten stories of the past and underrepresented voices, and especially personal to her is unexplored Southern history and culture. She also loves high-concept fantasy in YA and Adult fiction. Cate seeks the following nonfiction categories: narrative, history, film, TV, theatre, pop culture, and music. She also seeks the following fiction genres: historical, commercial, women’s fiction, romance, fantasy, mystery, psychological thriller, middle grade, and young adult. Learn more about Cate here.

Screen Shot 2019-11-19 at 12.08.49 AMLizzie Poteet is a literary agent with The Seymour Agency. Lizzie is always looking for a good love story. She loves classic romance tropes, strong dialogue, sassy heroines, witty banter, and good old fashion romance. She’s actively seeking inspirational romance, cozy mystery, new adult romance, young adult (no speculative), romantic suspense, historical and contemporary romances, and loves anything with a happy ending. Learn more about Lizzie here.

Screen Shot 2020-01-15 at 2.41.42 PM.png[SOLD OUT OF PITCH APPOINTMENTS] Kerry Sparks is a literary agent with Levine Greenberg Rostan Literary Agency. With a love for all these mediums of storytelling, she gravitates toward books that have a cinematic feel or visual element that lend to film or television adaptation. She primarily represents fiction, with a specific focus on novels for teens and young adults but regardless of age is always on the hunt for books that combine a solid hook and great writing and that have an undeniably fresh yet relatable voice. She also represents a select list of nonfiction writers. Learn more about Kerry here.

Screen Shot 2020-01-09 at 2.39.57 PM.png[SOLD OUT OF PITCH APPOINTMENTS] Beth Marshea is a literary agent and the founder of Ladderbird Literary. She is seeking mainstream/commercial fiction, family sagas, literary fiction, women’s fiction, RomComs (especially LGBTQ+), mysteries, thrillers, fantasy, and science fiction. For young adult, she seeks contemporary, mysteries, thrillers, and fantasy. Beth is also starting to acquire a very select list of middle grade and picture books. Learn more about Beth here.

Screen Shot 2019-10-14 at 12.43.24 PM.pngLeah Pierre is a literary agent with Ladderbird Literary. She is seeking: “I am looking for diverse and unique work that is faced paced, that I will not be able to put down, and will leave me on the edge of my seat. As much as I pretend to hate them, I do love a good plot twist and a shocking ending. I love stories with a complex cast of characters and I am a sucker for camaraderie, banter, and the tight-knit, family-like group of friends trope.” Adult novels: romance (ideally interracial), fantasy with elements of myth and legends, historical fantasy/fiction, social-justice-inspired espionage/heist. New adult novels: romance, coming-of-age, finding one’s identity, F/F friendship, the college experience as well as the post-college experience. Young adult novels: Fantasy with elements of myth and legend (lesser know myths/legends i.e. Middle Eastern), Meet-Cute/Coming-of-age that involves romance and self-discovery/self-love, Contemporary, realistic and raw family-centered novels, mysteries and thrillers (unreliable narrators are okay), fairy-tale retellings, and a good heist concept. “A lot of what I am looking for does overlap, so please use your best judgement when submitting. If you’re not sure, give it a try.” Learn more about Leah here.

Screen Shot 2019-11-01 at 11.31.03 PMLindsey Smith is a literary agent with Speilburg Literary. Lindsey is interested in cookbooks, lifestyle, health, pop culture, gender issues, self-help, true crime, and current events. She is especially interested in podcast-to-book ideas, journalists who specialize in specific research, and cookbooks that have a niche and/or narrative voice. Please do not pitch diet books. Lindsey is excited to work with first-time authors as well as those who are established. She is seeking nonfiction only, specifically prescriptive nonfiction that is compelling, and voice-driven, with the ability to shed light on a topic that might be unknown. She especially loves projects and people that bring humor to serious situations. Learn more about Lindsey here.

ChrysaChrysa Keenon is a literary agent with CYLE Literary. She is seeking: For adult novels, she seeks humorous romance, LGBTQ+ romance, and low fantasy. In young adult, she seeks humorous/lighthearted contemporary romance, fantasy LGBTQ+, diverse romance, magical realism, and stories about characters from marginalized backgrounds. She also will consider fairytale retellings/spinoffs and middle grade fantasy. Learn more about Chrysa here.

Screen Shot 2019-11-21 at 2.32.54 PM.pngAlice Speilburg is the founding literary agent of Speilburg Literary Agency. She enjoys nonfiction in the areas of History, Journalism, LGBTQ, Pop Culture, Psychology, Science, Travel, and True Crime. “In nonfiction, I’m looking for cultural narratives, microhistory, nature, and pop science written by journalists and academics.” In fiction, she represents women’s fiction, crime fiction, some fantasy (specifics on her agent page), upmarket genre fiction, historical fiction, mystery, thriller, action/adventure, and horror. Learn more about Alice here.

Screen Shot 2020-01-15 at 1.15.07 PM.pngEmma Hintzen is an assistant editor at Sourcebooks. Emma is seeking: Kids’ nonfiction (board books, picture books, and middle grade) that is commercial and entertaining for both kids and parents, offers a unique perspective, gives voice to people and topics that are underrepresented in kid lit, or hits a unique or overlooked need. Learn more about Emma here.

Screen Shot 2019-02-26 at 5.12.00 PM.pngKerstin Wolf is a literary agent with D4EO Literary. She is seeking a wide variety of middle grade books, including fantasy, sci-fi, mystery, horror, and graphic novels. She is seeking a wide variety of young adult books, including fantasy, sci-fi, horror, paranormal, historical with magical elements, some steampunk, “geeky” contemporary romance, and graphic novels. For new adult and adult fiction, she seeks fantasy, women’s fiction, and romantic stories. Learn more about Kerstin here.

Screen Shot 2019-02-01 at 5.56.45 PM.pngStacy Abrams is the editorial director of Entangled Amara and Entangled Teen, the two print imprints of Entangled Publishing. In teen fiction, she is seeking contemporary coming-of-age/romance, contemporary mystery/thriller, trope-driven short romances (particularly those set in high schools), romantic comedies, and accessible fantasy or paranormal. In adult fiction, she seeks contemporary romance (specifically weddings, cowboys, holiday, babies), political thrillers, and literary women’s fiction (particularly “ripped from the headlines” issues). Learn more about Stacy here.

Screen Shot 2019-11-11 at 9.47.12 AMAlexandra Weiss is a literary agent with Jennifer De Chiara Literary. She is seeking beautifully written young adult fiction (realism, science fiction, and fantasy – but stories that include magic, space, or science are not for her). She loves coming-of-age tales; stories that explore culture, race, sexuality, and identity; and literature from diverse and underrepresented voices. She represents all types of adventurous, silly, and out-of-the-box children’s picture books and middle grade books. In adult fiction, she is “open to most genres, but category romance, or heavy mystery/horror/thriller stories are not for me. Books that are written in or include uses of uncommon formats (uses of letters, screenplay, photos, poetry, or collection of short stories or essays) is another unique quality I look for.” Learn more about Alexandra here.

Screen shot 2015-02-01 at 3.03.41 PMAnna Michels is an associate editor at Sourcebooks. She is seeking commercial/mainstream literary fiction with interesting settings and a strong narrative voice (such as Burial Rites by Hannah Kent and The Light Between Oceans by M.L. Stedman); mystery (particularly historical and crossover literary—think Ordinary Grace by William Kent Krueger) and psychological suspense; and memoir by writers who connect the events of their lives to readers through incredible storytelling. She can take pitches on behalf of other Sourcebooks editors for young adult books, adult romance, and nonfiction gift books. Learn more about Anna here.

Screen Shot 2020-05-10 at 11.29.12 PM.pngAlyssa Roat is a literary agent with Cyle Young Literary Elite. She is seeking: any kind of young adult (but especially fantasy and speculative), middle grade fiction of any kind, fantasy (especially in non-western settings), the occasional Christian fiction title, and a rare thriller/mystery/suspense. “I’m especially interested in anything with these elements: Southwestern settings; non-western contemporary, fantasy, and historical settings; lesser-known mythologies and mythological creatures; humor.” Learn more about Alyssa here.

Screen Shot 2020-01-15 at 1.24.38 PM.pngJonathan Westmark is an editor at Albert Whitman & Company. Early in his career, he bounced between a fashion media publisher in New York and literary presses in Minnesota before finding his home in children’s publishing. He acquires fiction and nonfiction in the following categories: picture Books, early readers, chaoter books, middle grade (contemporary, historical), and young adult (all genres). Learn more about Jonathan here.

Screen Shot 2020-02-24 at 5.15.59 PMStephanie Hansen is a literary agent and founder of Metamorphosis Literary. Stephanie enjoys prose that flows as smoothly as poetry, unforgettable plot twists, and well-rounded characters. She is actively acquiring thrillers (YA & Adult). She is also on the hunt for the following on behalf of her fellow Metamorphosis agents: #OwnVoices, picture books (STEAM), middle grade (STEAM), young adult (contemporary, mystery, & SFF), romance (any kind), adult science fiction & fantasy. cozy mystery, women’s fiction, LGBTQ+, literary fiction, and nonfiction (stories rooting for the underdog). She is most interested in fiction with unexpected antagonists. (She is representing her agency in replacement of Mark William Norby, who was previously scheduled but is no longer attending.) Learn more about Stephanie here.

        More 2020 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.

These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.

(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. Spaces are limited for these premium meetings, and pricing/detail is explained below.)

———

PRICING:

$189 — EARLY BIRD base price for registration to the 2020 WWOC and access to all workshops, all day. As of October 2019, registration is now OPEN.

Add $29 — to secure a 10-minute one-on-one meeting with any of our literary agents in attendance. Use this special meeting as a chance to pitch your work and get professional feedback on your pitch. (Spaces limited.) If they wish, attendees are free to sign up for multiple 10-minute pitch sessions at $29/session — pitching multiple individuals, or securing 20 minutes to pitch one person rather than the usual 10. Here are some testimonials from writers who have signed with literary agents after pitching them at prior Writing Day Workshops events. (Our bigger, growing list of success stories can be seen here.)

Screen Shot 2016-10-16 at 3.19.33 PM.png“I am happy to report that I signed a writer after meeting
them through a pitch session at the Writing Workshop of Chicago.”
– literary agent Marcy Posner of Folio Literary

Screen Shot 2017-07-14 at 12.26.01 AM.png“I signed a lovely author after meeting her at the
Writing Workshop of Chicago. I’m thrilled.”
– literary agent Dawn Frederick of Red Sofa Literary

Screen Shot 2016-10-16 at 3.23.35 PM.png“I signed an author from the Writing Workshop of Chicago.
Her name is Georgina Cross and I’m delighted I found her.”
– literary agent Rachel Beck of Holloway Literary

Screen Shot 2018-11-26 at 11.11.29 AM.png“I met my client, Alison Hammer, at the Writing
Workshop of Chicago and just sold her book.”
– literary agent Joanna Mackenzie of Nelson Literary

Screen Shot 2017-09-08 at 11.47.54 PM.png“I wanted to let you know I signed a writer who
I met at the Writing Workshop of Chicago,
Rebecca Rissman. It was a quality conference.”

– literary agent Jennifer Unter of The Unter Agency

Screen Shot 2016-10-16 at 2.56.25 PM.png“I signed a client from the
Writing Workshop of Chicago.”

– literary agent Abby Saul of The Lark Group

Add $69 — for an in-depth, personal critique of your one-page query letter from Brian Klems, one of the day’s instructors. (This rate is a special event value for Writing Workshop of Chicago attendees only.) Registrants are encouraged to take advantage of the specially-priced critique, so they can send out their query letter with confidence following the workshop. Also, if you are meeting with an agent at the event, you’re essentially speaking your query letter aloud to them. Wouldn’t it be wise to give that query letter (i.e., your pitch) one great edit before that meeting?

Add $89 — for an in-depth personal critique of the first 10 pages of your novel. Spaces with faculty for these critiques are very limited, and participating attendees get an in-person meeting at the workshop. Options:

  • Mystery, crime, thriller, horror, and general fiction: Faculty member Julie Hyzy, a published author, will get your work in advance, critique the first 10 double-spaced pages of your story, meet with you for at least 10 minutes at the workshop to discuss her thoughts, and pass along written critique notes at the meeting.
  • Literary fiction, mainstream fiction, science fiction, fantasy, horror, women’s fiction, memoir, humor: Faculty member Ricki Cardenas, a published writer, will get your work in advance, critique the first 10 double-spaced pages of your story, talk with you for at least 10 minutes to discuss her thoughts, and pass along written critique notes. Unlike other critiquers who may join the 2020 Chicago event, Ricki will not personally be at the event, so she will be doing her 10-minute critique consultations through phone calls or Skype or Zoom.
  • Young adult, tween, middle grade: Faculty member Jessica Burkhart, a published YA/MG author, will get your work in advance and critique the first 10 double-spaced pages of your story. She will then meet with you for 10 minutes at the event to discuss her thoughts, and pass along written critique notes at the meeting.
  • Mystery, thriller, general fiction, literary fiction, science fiction, fantasy, romance, women’s fiction: Faculty member Tara Bailey, a writing coach and author, will get your work in advance, critique the first 10 double-spaced pages of your book, meet with you for at least 10 minutes at the workshop to discuss her thoughts, and pass along written critique notes at the meeting.
  • Children’s picture books: Faculty member Lisa Rose, a published PB writer, will get your work in advance, edit the first 1,000 words (max), meet with you for at least 10 minutes at the workshop to discuss her thoughts, and pass along written critique notes at the meeting.
  • More 2020 critique options forthcoming.

How to pay/register — Registration is now open. Reach out to workshop organizer Brian Klems via email: WDWconference@gmail.com, and she will provide specific instructions for payment and registration to get you a reserved seat at the event. Payment is by either PayPal or check. Because Jessica plans different workshops, make sure you note that you’re inquiring about the Chicago workshop specifically.

REGISTRATION:

(IMPORTANT MAY 2020 UPDATE: The 2020 WWoC is now an Online Conference to keep everyone safe. There is much more to say about this, but immediately you should understand 1) This will be easy and awesome, and online conferences we’ve done thus far have received wonderful feedback, 2) You do not have to be tech-savvy to do this, and 3) We are keeping all aspects of the event, including one-on-one agent & editor pitching, which will now be done by Skype or phone. Learn all details about the new June 27 WWoC Online Conference here and what everything means.)

Because of limited space at the venue, the workshop can only allow 300 registrants, unless spacing issues change. For this reason, we encourage you to book sooner rather than later.

Are spaces still available? Yes, we still have spaces available. We will announce RIGHT HERE, at this point on this web page, when all spaces are taken. If you do not see a note right here saying how all spaces are booked, then yes, we still have room, and you are encouraged to register.

How to Register: The easy first step is simply to reach out to workshop organizer Jessica Bell via email: WDWconference@gmail.com. She will pass along registration information to you, and give instructions on how to pay by PayPal or check. Once payment is complete, you will have a reserved seat at the event. The WWOC will send out periodic e-mail updates to all registered attendees with any & all news about the event. Because Jessica plans different workshops, make sure you note that you’re inquiring about the Chicago workshop specifically.

Refunds: If you sign up for the event and have to cancel for any reason, you will receive 50% of your total payment back [sent by check or PayPal]. The other 50% is nonrefundable and will not be returned, and helps the workshop ensure that only those truly interested in the limited spacing sign up for the event. (Please note that query editing payments and manuscript editing payments are completely non-refundable if the instructor has already edited your work.)

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Thank you for your interest in the 2020 Writing Workshop of Chicago.

 

Get to Know an Agent in Attendance: Stephanie Hansen of Metamorphosis Literary

Screen Shot 2020-02-24 at 5.15.59 PMStephanie Hansen is a literary agent and founder of Metamorphosis Literary.

Stephanie enjoys prose that flows as smoothly as poetry, unforgettable plot twists, and well-rounded characters. She is actively acquiring thrillers (YA & Adult).

She is also on the hunt for the following on behalf of her fellow Metamorphosis agents: #OwnVoices, picture books (STEAM), middle grade (STEAM), young adult (contemporary, mystery, & SFF), romance (any kind), adult science fiction & fantasy. cozy mystery, women’s fiction, LGBTQ+, literary fiction, and nonfiction (stories rooting for the underdog).

She is most interested in fiction with unexpected antagonists.

Stephanie represents authors with their debut novels and New York Times-bestsellers and has brokered deals with small presses and major publishing houses. She holds a master’s degree with a Creative Writing Specialization.

Stephanie is unilaterally deaf with 90 dB tinnitus. She’s dedicated to elevating voices that often go unheard.

(She is representing her agency in replacement of Mark William Norby, who was previously scheduled but is no longer attending.)

 

Get to Know an Agent in Attendance: Alyssa Roat of CYLE Literary

Screen Shot 2020-05-10 at 11.29.12 PM.pngAlyssa Roat is a literary agent with Cyle Young Literary Elite. She is seeking: any kind of young adult (but especially fantasy and speculative), middle grade fiction of any kind, fantasy (especially in non-western settings), the occasional Christian fiction title, and a rare thriller/mystery/suspense.

Specifically, she is seeking:

  • any kind of young adult (but especially fantasy and speculative)
  • middle grade fiction
  • fantasy
  • unique historical fiction
  • occasional Christian titles
  • a rare thriller/mystery/suspense

“I’m especially interested in anything with these elements: Southwestern settings; non-western contemporary, fantasy, and historical settings; lesser-known mythologies and mythological creatures; humor.”

Alyssa has worked in a wide variety of roles within the publishing industry, as an agent, editor, writer, and marketer. Along with being a part of the C.Y.L.E. team, Alyssa is the publicity manager at Mountain Brook Ink, an editor with Sherpa Editing Services, and a freelance writer with 150+ bylines. She holds a degree in Professional Writing from Taylor University. Her debut novel, Wraithwood, releases Nov. 7, 2020 from INtense Publications.

Get to Know an Editor in Attendance: Stacy Abrams of Entangled Publishing

Screen Shot 2019-02-01 at 5.56.45 PM.pngStacy Abrams is the editorial director of Entangled Amara and Entangled Teen, the two print imprints of Entangled Publishing.

She’s been with the company since its inception in 2011, leaving the hustle and bustle of New York City and her job as an editor at Bloomsbury Children’s Books to dive into the world of romance. Stacy earned her bachelor’s in English at Northwestern University and currently resides in the frozen tundra of Chicago with her husband, two sons, and too-cute puppy. She is always looking for high-quality adult and teen fiction, specifically in contemporary coming-of-age, mystery/thriller, and of course romance.

Stacy is looking for:

TEEN:
-Contemporary coming-of-age/romance
-Contemporary mystery/thriller
-Trope-driven short romances, particularly those set in high schools
-Rom-coms
-Accessible fantasy or paranormal

ADULT:
-Contemporary romance, specifically weddings, cowboys, holiday, babies
-Political thrillers
-Literary women’s fiction, particularly “ripped from the headlines” issues

Get to Know a Literary Agent in Attendance: Beth Marshea of Ladderbird Agency

Screen Shot 2020-01-09 at 2.39.57 PM.pngBeth Marshea is a literary agent and the founder of Ladderbird Agency.

At the 2020 Tampa workshop, she will be taking pitches from attendees, and also teaching a speech.

Beth founded Ladderbird Literary Agency with the intention of bringing diverse stories tot the forefront. She has a long love of literature, but found herself disappointed by the homogeneity of canonical work. After obtaining an undergraduate degree in literature, Beth earned a Master’s degree in Business Administration and decided to merge her passions and create her own agency. Beth is passionate about writing that pushes genres and boundaries and challenges the reader to accept a new point of view.

 

What she’s looking for:

Beth is actively seeking narrative nonfiction centering around cultural phenomena, hidden histories. or weird histories, and issue-driven books.

Her first love is and always will be literary fiction, where she’s looking for work with unusual settings or work that involves clever plots and dynamic characters that bring to light new perspectives on old ideas. Particular areas of interest are stories set in Mexico or Central America. In addition, she’s especially fond of magical realism. Think: Gingerbread by Helen Oyeyemi, The Little Snake by A.L. Kennedy, The Vegetarian by Han Kang, and anything by Haruki Murakami.

Adult fiction:

Mainstream/Commercial Fiction: Multi-gen family sagas (ideally multicultural) meets cutes/RomComs (especially LGBTQ+).

Women’s Fiction: Smart, sharp, and funny, especially centered around F/F relationships, friendship or romantic,

Literary Fiction: Work with unusual settings and/or involving clever plots and dynamic characters that bring to light new perspectives on old ideas. Particular areas of interest are stories set in Mexico or Central America. In addition, she’s especially fond of magical realism.

Mysteries: Beth loves unusual settings and prefers cozies,

Thrillers: Work about anything other than rich suburban women.

Fantasy: Books that are fast-paced with wonderful (ideally non-European) characters.

Science Fiction: Near future; unusual tech; not focused around the US.

Kidlit:

Young Adult: Contemporary (friendship stories; found family; non-US based settings) mysteries (high stakes), thrillers (stories with big twists; no unreliable narrators), fantasy (character-driven and really original).

Beth is starting to acquire a very select list of middle grade and picture books. In middle grade, she’s looking for fun, compelling characters that deal with real problems that middle schoolers face: friendship, divorce, gender identity, budding feelings of attraction or a lack of those feelings, feelings of isolation, and found family stories. In picture books, she’s dying to find books with really cute hooks like “The Day the Crayons Quit,” or nice messaging like “Not Quite a Narwhal.” She’d love to find a book that brings parents and kids together with language simple enough for a young child to read, but engrossing enough for and adult to enjoy.

Get to Know an Agent in Attendance: Kerstin Wolf of D4EO Literary

Screen Shot 2019-02-26 at 5.12.00 PM.pngAfter years of interning at a number of literary agencies and publishers, freelance editing, and bookselling, Kerstin Wolf got her start as an agent in training at The Booker Albert Literary Agency before joining D4EO Literary as a literary agent in February 2019.

When not reading, editing, or doing anything related to publishing, Kerstin enjoys practicing martial arts. She has the most experience in judo, boxing, kickboxing, and Muay Thai. She also likes learning new languages. She has studied Spanish for a number of years now and also has some experience in Arabic, German, American Sign Language, Basque, Japanese, and Old English.

She is seeking the following for Middle Grade:

  • Fantasy of any kind
  • Science fiction
  • Mysteries along the lines of The 39 Clues series, York: The Shadow Cipher by Laura Ruby, and Chasing Vermeer by Blue Balliett
  • Horror along the lines of Lockwood & Co.: The Screaming Staircase by Jonathan Stroud
  • Graphic novels

She is seeking the following for Young Adult:

  • Fantasy of any kind
  • Science fiction
  • Horror along the lines of Anna Dressed in Blood by Kendare Blake
  • Paranormal
  • Historical with magical elements
  • Steampunk along the lines of Leviathan by Scott Westerfeld
  • “Geeky” contemporary romance along the lines of Geekerella by Ashley Poston and When Dimple Met Rishi by Sandhya Menon
  • Graphic novels

She is seeking the following for New Adult/Adult:

  • Fantasy along the lines of V.E. Schwab’s Shades of Magic series and Villains series and Empire of Sand by Tasha Suri
  • Women’s fiction
  • Romance along the lines of The Hating Game by Sally Thorne and Josh and Hazel’s Guide to Not Dating by Christina Lauren

Get to Know an Editor in Attendance: Anna Michels of Sourcebooks

Screen shot 2015-02-01 at 3.03.41 PMAnna Michels is an associate editor at Sourcebooks, an independent publisher located outside of Chicago. Over the course of her three years at Sourcebooks, she has worked on a wide variety of projects, most recently focusing on acquiring adult fiction and memoir.

She is looking for: commercial/mainstream literary fiction with interesting settings and a strong narrative voice (such as Burial Rites by Hannah Kent and The Light Between Oceans by M.L. Stedman); mystery (particularly historical and crossover literary—think Ordinary Grace by William Kent Krueger) and psychological suspense; and memoir by writers who connect the events of their lives to readers through incredible storytelling. She can take pitches on behalf of other Sourcebooks editors for young adult books, adult romance, and nonfiction gift books.

Get to Know an Agent in Attendance: Kerry Sparks of Levine Greenberg Rostan Literary Agency

Screen Shot 2020-01-15 at 2.41.42 PM.pngKerry Sparks is a literary agent who joined Levine Greenberg Rostan Literary Agency in 2008, coming to book publishing after several years in the film and television industry.

With a love for all these mediums of storytelling, she gravitates toward books that have a cinematic feel or visual element that lend to film or television adaptation.

She primarily represents fiction, with a specific focus on novels for teens and young adults but regardless of age is always on the hunt for books that combine a solid hook and great writing and that have an undeniably fresh yet relatable voice. She also represents a select list of nonfiction writers.

A few of her clients include NYT and International Bestselling author Jennifer Niven, National Book Award Finalist Carrie Arcos, illustrator and author Mark Pett, bestselling author Susan Wittig Albert, novelist Camille Perri, essayist and poet Shayla Lawson, and a robust list of Jennifers— Jennifer Mathieu, Jenny Lundquist, Jennifer Gray Olson, and Jenny Torres Sanchez, to name a few.

Kerry grew up in the woods of Oregon as the extroverted early bird in a family of introverted night owls, and, as a middle child, learned how to negotiate while keeping the peace at a young age. She graduated with honors from California State University, Los Angeles with a degree in English, where she also published short stories and wrote and produced plays. After a decade in Manhattan, Kerry now heads up the LGR Oregon outpost in Portland where she lives with her husband and two daughters. Kerry is the co-author of the hipster baby name book Hello, My Name Is Pabst and will gladly help clients name their characters upon request.

Get to Know an Editor in Attendance: Jonathan Westmark of Albert Whitman & Company

Screen Shot 2020-01-15 at 1.24.38 PM.pngJonathan Westmark is an editor at Albert Whitman & Company.

Early in his career, he bounced between a fashion media publisher in New York and literary presses in Minnesota before finding his home in children’s publishing. Jonathan spent two years editing and writing children’s nonfiction, and in 2016 moved into trade at Albert Whitman.

He acquires fiction and nonfiction in the following categories:

  • Picture Books
  • Early Readers
  • Chapter Books
  • Middle Grade (contemporary, historical)
  • Young Adult (all genres)

Get to Know an Editor in Attendance: Emma Hintzen of Sourcebooks

Screen Shot 2020-01-15 at 1.15.07 PM.pngEmma Hintzen is an assistant editor at Sourcebooks.

She hails from Metro Detroit and earned her bachelor’s degree at Michigan State University. Before moving to the Chicago area and diving into the world of KidLit, she worked in adult nonfiction at HarperCollins Christian in Grand Rapids, Michigan. Emma is a big fan of the Midwest.

Emma is seeking: Kids’ nonfiction (board books, picture books, and middle grade) that is commercial and entertaining for both kids and parents, offers a unique perspective, gives voice to people and topics that are underrepresented in kid lit, or hits a unique or overlooked need.

Get to Know an Agent in Attendance: Chrysa Keenon of CYLE Literary

ChrysaChrysa Keenon is a literary agent with CYLE Literary.

She is seeking: For adult novels, she seeks humorous romance, LGBTQ+ romance, and low fantasy. In young adult, she seeks humorous/lighthearted contemporary romance, fantasy LGBTQ+, diverse romance, magical realism, and stories about characters from marginalized backgrounds. She also will consider fairytale retellings/spinoffs and middle grade fantasy.

Chrysa holds a degree from Taylor University in Professional Writing with minors in Public Relations and Creative Writing. She began her agenting career as an intern at The Seymour Agency and gained experience in the editorial world at GenZ Publishing. She is the recipient of the Blue Seal Award for 1st place YA Sci-Fi/Fantasy fiction and 1st Place News and Feature Story from the Indiana Collegiate Press, among others. She has over 400 publications and currently works as a content writer for a Midwest bridal magazine. Chrysa enjoys puns, coffee, and traveling to oceanside cities.

Get to Know an Agent in Attendance: Alice Speilburg of Speilburg Literary

Screen Shot 2019-11-21 at 2.32.54 PM.pngAlice Speilburg founded Speilburg Literary Agency in 2012, bringing with her the editorial and business expertise she had developed in previous publishing positions at John Wiley & Sons and Howard Morhaim Literary Agency. She is a member of Romance Writers of America, Mystery Writers of America, and Society of Children’s Book Authors and Illustrators, and she is a board member of Louisville Literary Arts. She is currently building her client list and represents a wide range of fiction and nonfiction.

Nonfiction:

She enjoys nonfiction in the areas of History, Journalism, LGBTQ, Pop Culture, Psychology, Science, Travel, and True Crime. “In nonfiction, I’m looking for cultural narratives, microhistory, nature, and pop science written by journalists and academics. I’d love to see more nonfiction proposals, so even if you think your nonfiction project is not quite what I’m looking for, please send it over so that I can take a look.” She’d love to see

  • Pop Science Narratives that inform some particular quirk of our human nature or the world around us, like STIFF, or ON TRAILS
  • Pop Science Narratives that tie closely with political discussions regarding the environment, social issues, etc., like INFERIOR, OVERRUN, or LOST MOUNTAIN
  • Nonfiction Narratives that weave history or science through memoir, like THE OREGON TRAIL, or SPINELESS
  • Nonfiction narratives that focus on the intersection of two — perhaps unlikely — subjects, like WAR AND WINE, or EYE OF THE BEHOLDER
  • Journalistic Narratives that focus on a specific place, thing, or circumstance to show something about our culture at large, like JANESVILLE, THE GOOD GIRLS REVOLT, GHOSTLAND, or WILD ONES

Fiction:

She represents women’s fiction, crime fiction, some fantasy (specifics below), historical fiction, mystery, thriller, action/adventure, and horror.

“In fiction, I’m looking for stories that sidestep into history, magic, mystery, horror, or adventure. My favorite sub-genres are feminism, narrative nonfiction, and upmarket genre fiction.” She would love to see

  • Historical Fiction that reimagines factual events, especially crimes or mysteries, like BURIAL RITES, THE BALLAD OF TOM DOOLEY, or THE LAST DAYS OF NIGHT
  • Women’s Fiction that oscillates between modern and historical perspectives like THE DOLLHOUSE
  • Historical Fiction that sidesteps into magic, like OUTLANDER, A SECRET HISTORY OF WITCHES, or THE MONSTERS OF TEMPLETON
  • Fantasy based on American folklore, earthy and magical, like THE VINE THAT ATE THE SOUTH
  • Fantasy that contains mythical elements, like THE BIRD KING, THE GOLEM AND THE JINNI, or THE BEAR & THE NIGHTINGALE
  • Adventure Fantasy with fresh and unique magic, like A DARKER SHADE OF MAGIC, THE BOOK OF DUST
  • Police Procedural Mysteries that are grounded in both a unique investigator and an evocative setting like the ARMAND GAMACHE series and the ALEX MCKNIGHT series
  • Psychological Thrillers that border on horror with smart female protagonists, like IN A DARK, DARK WOOD

 

Get to Know an Agent in Attendance: Lindsay Smith of Speilburg Literary

Screen Shot 2019-11-01 at 11.31.03 PMLindsey Smith is a literary agent with Speilburg Literary.

Lindsey is interested in cookbooks, lifestyle, health, pop culture, gender issues, self-help, true crime, and current events. She is especially interested in podcast-to-book ideas, journalists who specialize in specific research, and cookbooks that have a niche and/or narrative voice. Please do not pitch diet books.

Lindsey is excited to work with first-time authors as well as those who are established. She is seeking nonfiction only, specifically prescriptive nonfiction that is compelling, and voice-driven, with the ability to shed light on a topic that might be unknown. She especially loves projects and people that bring humor to serious situations.

Lindsey got her start in the publishing industry as an author. After her own publishing success, she started working with other writers to help launch their books and shape their careers. To date, Lindsey has worked with over 1,000 authors and negotiated book deals even before becoming an agent. Her unique perspective helps shape her passion for the industry and her role as an advocate for her clients.

Formerly a publicist and hailing from the world of self-publishing, Lindsey understands the importance of branding, and she works with each client not only to sell a book but to build a career.

Get to Know an Agent in Attendance: Alexandra Weiss of Jennifer De Chiara Literary

Screen Shot 2019-11-11 at 9.47.12 AM.pngAlexandra Weiss is a literary agent with Jennifer De Chiara Literary.

She is seeking:

Young Adult: “I’m looking for writers who have the ability to turn their pens into paintbrushes; in other words, beautiful writing. The genres I’m most interested in representing include realism, science fiction, and fantasy – but stories that include magic (think The Raven Cycle series by Maggie Stiefvater and The Night Circus by Erin Morgenstern) are my weakness, as are stories that include space and science. Please do not me those. I’m looking for strong YA voices, and ones that go beyond the coming-of-age story. I love stories that explore culture, race, sexuality, and identity. I’m passionate about representing literature from diverse and underrepresented voices.”

Middle grade and children’s picture books: “I love all types of adventurous, silly, and out-of-the-box children and middle grade books. Children’s picture books with or without pictures intrigue me, and I’m most interested in a character-driven story and big plot to explore.”

Adult fiction: “I’m not looking for romance, but I am looking for strong literary voices that take the notion that every story is a love story to new levels. I’m interested in complex relationship stories that surround something bigger. I’m open to most genres, but heavy mystery, horror, or thriller stories are not for me. Books that are written in or include uses of uncommon formats (uses of letters, screenplay, photos, poetry, or collection of short stories or essays) is another unique quality I look for.”

Alexandra is a Books Writer for Bustle.com, the PR Manager for a local Chicago circus, and an all-around literary bookworm. She graduated from Columbia College Chicago with a BFA in Creative Writing and Publishing in 2015. Previously she’s worked as an Acquisitions Editor for the award-winning anthology Hair Trigger, interned as a publicist for Kaye Publicity, and was a loyal volunteer for Columbia’s annual Story Week: Festival of Writers event for the past four years. Ever since she was little, her main goal has been to inspire with words, just like the many beloved books and authors have done before her.

 

 

Get to Know an Agent in Attendance: Leah Pierre of Ladderbird Literary

Screen Shot 2019-10-14 at 12.43.24 PM.pngLeah Pierre is a literary agent with Ladderbird Literary.

A Texas native, Leah moved to the east coast to pursue her dream of working in publishing. Leah spends her time enjoying the company of fictional characters more than people. When not in the company of fictional characters, Leah hangs out with friends and family, cooks, and catches up on movies and TV shows.

She is seeking: “I am looking for diverse and unique work that is faced paced, that I will not be able to put down, and will leave me on the edge of my seat. As much as I pretend to hate them, I do love a good plot twist and a shocking ending. I love stories with a complex cast of characters and I am a sucker for camaraderie, banter, and the tight-knit, family-like group of friends trope.”

Adult novels: romance (ideally interracial), fantasy with elements of myth and legends, historical fantasy/fiction, social-justice-inspired espionage/heist.

New adult novels: romance, coming-of-age, finding one’s identity, F/F friendship, the college experience as well as the post-college experience.

Young adult novels: Fantasy with elements of myth and legend (lesser know myths/legends i.e. Middle Eastern), Meet-Cute/Coming-of-age that involves romance and self-discovery/self-love, Contemporary, realistic and raw family-centered novels, mysteries and thrillers (unreliable narrators are okay), fairy-tale retellings, and a good heist concept.

“A lot of what I am looking for does overlap, so please use your best judgement when submitting. If you’re not sure, give it a try.”

Get to Know an Agent in Attendance: Kenzi Nevins of CYLE Literary Elite

Screen Shot 2019-11-15 at 4.23.30 PMKenzi Nevins is a junior literary agent with CYLE Literary Elite.

Kenzi personally seeks picture books (text only is fine, but author-illustrators are her favorite), middle grade (all kinds), young adult (all kinds, including graphic novels with images), and adult fantasy. She is also happy to take pitches on behalf of her many co-agents, and pass on great submissions to them after the event. That means she will take pitches for romance (all kinds), literary fiction, mainstream fiction, science fiction, high & low fantasy, historical, mystery, thriller, suspense, women’s, and Christian/inspirational. For nonfiction, she will take pitches for parenting, leadership, ministry, devotionals, and self-help. She will also take pitches for board books and chapter books.

“My personal interests lie in mythology and retold fairy tales, so I would say that fantasy and magic realism generally get me the most excited, but I will look at anything.”

Kenzi is an award-winning writer with a passion for magic realism and mythology. A graduate of Taylor University’s professional writing and theatre programs, she spent two semesters studying in the story-laden Wicklow Mountains of eastern Ireland. Previously, she won second place for theatre journalism and critique from the Kennedy Center for American College Theatre, and her short story, “The Last Freedom,” was published in eBook and paperback by StoryShares.

When she isn’t writing, Kenzi can be found watering her fairy garden, experimenting with little-known tea flavors, or wandering the aisles of her Kentucky library.

Get to Know an Editor in Attendance: Emily Clark Victorson of Allium Press

Screen Shot 2017-01-06 at 12.09.01 AM.pngEmily Clark Victorson is the co-founder and publisher of Allium Press of Chicago.

After receiving degrees from Oberlin College and the University of Michigan, Emily moved to the Chicago area, where she has lived for over twenty-five years. Prior to starting Allium Press, she worked as a librarian, historian, and book designer for such organizations as the Newberry Library, the Chicago History Museum, and History Works, Inc.

Allium Press was founded in 2009 as a small, independent press and
publishes literary fiction, historical fiction, mysteries, thrillers, middle grade, and
young adult fiction — all with a Chicago connection.

Get to Know an Agent in Attendance: Eric Smith of P.S. Literary

Screen Shot 2015-07-27 at 12.53.46 PMEric Smith is a literary agent with P.S. Literary.

Eric began his publishing career at Quirk Books in Philadelphia, working social media and marketing on numerous books he absolutely adored. Eric completed his BA in English at Kean University, and his MA in English at Arcadia University. A frequent blogger, his ramblings about books appear on BookRiot, The Huffington Post, Barnes & Noble’s Teen Reads blog, Paste Magazine’s Books section, and more. A published author with Quirk Books and Bloomsbury, he seeks to give his authors the same amount of love his writing has received. Follow him on Twitter: @ericsmithrocks

Eric is seeking: Eric is eagerly acquiring fiction and nonfiction projects. He’s actively seeking out new, diverse voices in Young Adult (particularly sci-fi and fantasy), and Literary and Commercial Fiction (again, loves sci-fi and fantasy, but also thrillers and mysteries). In terms of nonfiction, he’s interested in Cookbooks, Pop Culture, Humor, essay collections, and blog to book ideas.

Get to Know an Agent in Attendance: Dan Cramer of Flannery Literary

Screen Shot 2019-10-29 at 9.34.57 PMDan Cramer is a literary agent with Flannery Literary.

He is seeking:

  • picture books with great rhythm, fiction and nonfiction (no rhyming please)
  • middle grade adventure, sci-fi, and fantasy
  • young adult contemporary (rom-coms), science fiction, dystopian, historical fiction, and thrillers
  • LGBTQIA+ themes

He is not seeking nonfiction middle grade or YA

“My love of reading started when I was young with The Chronicles of Narnia. I loved that I could escape into a world where magic and adventure existed. That love of books grew and has followed me into adulthood. Some of my best friends and greatest loves, through the years, have been fictional characters. They have inspired and motivated me in almost every facet of my life, from my first career as a Forensic Scientist with the FBI to an Associate Literary Agent with Flannery Literary.”

“While I love all books, my heart beats for Children’s Literature for many reasons, but the main reason is Children’s Literature, from Picture Books to Young Adult Novels, is fearless. These books and their authors are not afraid to tackle tough topics, to celebrate diversity, or bring awareness to issues that others would turn their backs on. Children’s Literature never ceases to surprise me with its fortitude.”

“I live in Burr Ridge, Illinois with my husband and two rescue dogs, Timmy and Zoe. When I’m not reading, I enjoy the outdoors, horror movies, and baking (and I’m definitely not imagining I’m on the Great British Bake Off… ok, I’m totally doing that).”

 

Get to Know an Agent in Attendance: Paul S. Levine of Paul S. Levine Literary

Screen Shot 2019-09-27 at 1.36.26 PM.pngPaul S. Levine is a literary agent and the founder of Paul S. Levine Literary. He is also an attorney.

His fiction interests include adventure novels, mainstream fiction, mysteries, romance, thrillers, and women’s fiction.

His nonfiction interests include business/commerce, pop culture, how-to, self-help, politics/law, relationships, and sports.

Paul has sold more than 250 fiction and nonfiction books.

As an entertainment lawyer, Levine has written the legal contracts for several books adapted as movies-for-television. With over thirty-seven (38) years of experience in the entertainment and book industries, Levine is one of the few lawyers on the West coast who also understands the world of book publishing; as such, he is able to act as both literary agent and publishing attorney for his clients.